Lenses that fit the Sony NEX-FS700R

Pick a camera, a lens or a mount. We work out what mounts natively, what adapts, which adapter people actually use — and whether the lens covers the sensor. Modern cine glass and vintage lenses alike.

I have a camera

I have a lens

108 native · 355 with an adapter · 18 that don’t fit · Sony NEX-FS700R spec sheet

Sony E — native

Native108

ARRI PL → Sony E

With adapter137

Wooden Camera E to PL · Vocas PL to E · Metabones PL-E. Solid and common. Support the lens — the E-mount is not built to carry a heavy cine zoom on its own.

Canon EF → Sony E

Electronic adapter67

Metabones EF-E Smart Adapter · Sigma MC-11. Iris control and IS work; autofocus works on most lenses but is slower than native, and continuous video AF is hit-and-miss.

M42 screw → Sony E

With adapter26

Novoflex · K&F Concept · Fotodiox. 27.5 mm of room — a plain mechanical adapter. Manual focus and iris.

Canon FD → Sony E

With adapter23

Novoflex · K&F Concept · Fotodiox. 24 mm of room — a plain mechanical adapter. Manual focus and iris.

Nikon F → Sony E

With adapter22

Novoflex · K&F Concept · Fotodiox. 28.5 mm of room — a plain mechanical adapter. Manual focus and iris.

Contax/Yashica → Sony E

With adapter15

Novoflex · K&F Concept · Fotodiox. 27.5 mm of room — a plain mechanical adapter. Manual focus and iris.

Leica R → Sony E

With adapter13

Novoflex · K&F Concept · Fotodiox. 29 mm of room — a plain mechanical adapter. Manual focus and iris.

Minolta SR (MC/MD) → Sony E

With adapter7

Novoflex · K&F Concept · Fotodiox. 25.5 mm of room — a plain mechanical adapter. Manual focus and iris.

Mamiya 645 → Sony E

With adapter6

Novoflex · K&F Concept · Fotodiox. 45.3 mm of room — a plain mechanical adapter. Manual focus and iris.

Pentax K → Sony E

With adapter4

Novoflex · K&F Concept · Fotodiox. 27.5 mm of room — a plain mechanical adapter. Manual focus and iris.

Pentax 6x7 → Sony E

With adapter4

Novoflex · K&F Concept · Fotodiox. 67 mm of room — a plain mechanical adapter. Manual focus and iris.

Hasselblad V → Sony E

With adapter3

Novoflex · K&F Concept · Fotodiox. 56.9 mm of room — a plain mechanical adapter. Manual focus and iris.

C-mount → Sony E

With adapter1

Fotodiox C-NEX. Mounts, but expect heavy vignetting outside a Super 16 crop; lenses with a wide rear barrel don't seat.

Flange focal distance chart

Shortest first. A lens adapts to any mount above it in this list with room to spare — and to nothing below it without corrective glass.

MountFlange distanceThroatTypeSince
Nikon Z16 mm55 mmmirrorless2018
C-mount16mm-format lenses: most cover no more than a Super 16 / 1-inch sensor.17.526 mm25.4 mmcine1926
Fujifilm X17.7 mm43.5 mmmirrorless2012
Sony E18 mm46.1 mmmirrorless2010
Canon EF-M18 mm47 mmmirrorless2012
Micro Four Thirds19.25 mm38 mmmirrorless2008
Canon RF20 mm54 mmmirrorless2018
L-Mount20 mm51.6 mmmirrorless2014
Fujifilm G26.7 mm65 mmmirrorless2017
Leica M27.8 mm44 mmrangefinder1954
Canon FD42 mm48 mmslr1971
Minolta SR (MC/MD)43.5 mm45 mmslr1958
Canon EF44 mm54 mmslr1987
ARRI LPL44 mm62 mmcine2018
M42 screw45.46 mm42 mmslr1949
Pentax K45.46 mm44 mmslr1975
Contax/Yashica45.5 mm48 mmslr1975
Olympus OM46 mm46 mmslr1972
Nikon F46.5 mm44 mmslr1959
Leica R47 mm49 mmslr1964
B4 (2/3" broadcast)Designed for 3-chip prism cameras with a 2/3" image circle — only usable on larger sensors through an optical adapter.48 mm46 mmbroadcast1992
ARRI PL52 mm54 mmcine1982
ARRI Standard52 mm41 mmcine1937
ARRI Bayonet52 mm41 mmcine1965
Panavision PV57.15 mm49.5 mmcine1972
OCT-19 (Lomo / Konvas)61 mm47 mmcine1950
Mitchell BNCR61.47 mm68 mmcine1967
Mamiya 64563.3 mm62 mmmedium format1975
Hasselblad V74.9 mm69 mmmedium format1957
Pentax 6x784.95 mm72 mmmedium format1969

Adapter matrix

Lens mount down the side, camera mount across the top. native adapter optical adapter only Hover a cell for the details.

lens ↓ body →ZCXEEF-MMFTRFLGFXMFDSREFLPLM42KC/YOMFRB4PLArri-SArri-BPVOCT-19BNCRM645HVP67
Z
C
X
E
EF-M
MFT
RF
L
GFX
M
FD
SR
EF
LPL
M42
K
C/Y
OM
F
R
B4
PL
Arri-S
Arri-B
PV
OCT-19
BNCR
M645
HV
P67

Solid blue = an adapter people actually use. Pale blue = possible by flange distance; check that someone makes the ring.

Adapting lenses, answered

How do I know if a lens can be adapted to my camera?

Compare flange focal distances — the gap between the mount and the sensor. An adapter can only add distance, never remove it, so a lens adapts cleanly when its own system has a LONGER flange distance than your camera’s. That is why almost anything goes on mirrorless mounts (16–20 mm) and almost nothing goes on PL (52 mm).

Can I put PL lenses on a Sony, Canon RF or L-Mount camera?

Yes. PL sits at 52 mm and mirrorless mounts at 16–20 mm, leaving room for a solid mechanical adapter. Use lens support: a mirrorless bayonet is not built to carry a cine zoom. Also check coverage — many PL lenses only cover Super 35, so a full-frame body needs its S35 crop mode.

Why can’t I use Canon FD lenses on a Canon EF camera?

FD lenses expect the sensor 42 mm away; EF bodies put it at 44 mm. The lens ends up 2 mm too far forward and loses infinity focus. Glass adapters fix that but soften the image, so people either replace the mount (EdMika conversion kits) or use a mirrorless camera, where FD adapts trivially.

What is a speed booster?

A focal reducer: an adapter with optics that squeezes a full-frame image circle onto a smaller sensor. You get a wider field of view (typically 0.71x) and about one stop more light. It only works when the lens covers more than the sensor needs — full-frame glass on Super 35 or Micro Four Thirds.

Will an adapted lens keep autofocus and iris control?

Only with an electronic adapter, and only for electronic lenses — in practice Canon EF glass onto Sony E, Canon RF, L-Mount, Nikon Z, Fujifilm X and MFT. Everything else is a plain ring: manual focus, and iris on the lens itself.

Does the lens cover my sensor?

Mounting and covering are separate questions. A Super 35 lens on a full-frame camera mounts fine but vignettes until you switch to the camera’s S35 crop mode. We flag every such pairing with “needs crop mode”.

Know what fits — and what’s free on the day

ProductionPal tracks your lenses, bodies and adapters with live availability, so the kit you planned is the kit that ships.