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Canon K35 18mm T1.5

Lens · 1970s–1980s · Canon K35

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The only lens in the core set that does not cover full frame; it is a Super 35 lens. Rental houses list it as T1.5 or T1.6, and the TLS housing has a larger front than the rest of the set (110mm and 143mm are both quoted, so it is omitted here). Canon's 1970s answer to the Zeiss Super Speeds, recognised with an Academy Scientific and Technical award in 1977; the rehoused iris gives rounder bokeh than the originals. Specs are for the TLS rehousing.

Key specs

Focal length
18 mm
Max aperture
T1.5
Mount
Mitchell BNCR, ARRI Bayonet, PL
Image circle
Super 35
Close focus
0.3 m
Weight
1.7 kg

Field of view by sensor

Full frame
90° horizontal · frames like 18 mm on full frame
Super 35
69.3° horizontal · frames like 26 mm on full frame
Micro Four Thirds
51.3° horizontal · frames like 37.5 mm on full frame

What it goes on

Most working sets are TLS rehousings in PL (110mm fronts, cam focus); GL Optics and P+S Technik have housed them too. Original barrels came in BNCR and Arri bayonet and were commonly PL-converted; being cine mounts they do not adapt usefully to stills bodies other than via PL adapters.

  • PL camerasNativeALEXA 265, ALEXA 35, PYXIS 12K, PYXIS 6K +15 more
  • Sony E camerasWith adapterRonin 4D-6K, Ronin 4D-8K, Alpha 1 II, Alpha 7 IV +13 more

    Wooden Camera E to PL · Vocas PL to E · Metabones PL-E. Solid and common. Support the lens — the E-mount is not built to carry a heavy cine zoom on its own.

  • Canon RF camerasWith adapterEOS C400, EOS C50, EOS C70, EOS C80 +10 more

    Wooden Camera RF to PL · Canon PL-RF (C400 / C80) · Kipon PL-RF. Common; use lens support with heavy glass.

  • L-Mount camerasWith adapterCinema Camera 6K, PYXIS 12K, PYXIS 6K, Ronin 4D-6K +6 more

    Leitz L-PL · Wooden Camera L to PL · Sigma MC-31. Common; use lens support with heavy glass.

  • Micro Four Thirds camerasWith adapterMicro Studio Camera 4K G2, Pocket Cinema Camera 4K, Lumix BGH1, Lumix GH6 +1 more

    Wooden Camera MFT to PL · MTF PL to MFT. Works, with a 2x crop on Super 35 glass relative to full frame.

  • LPL camerasWith adapterALEXA 265, ALEXA 35, ALEXA Mini LF, URSA Cine 17K 65

    ARRI PL-to-LPL Adapter. ARRI's own adapter, passes LDS / Cooke /i lens data.

  • Nikon Z camerasWith adapterKOMODO-X 6K S35, V-RAPTOR [X] 8K VV, V-RAPTOR XE

    Wooden Camera Z to PL · Kipon PL-NIK Z. Common; use lens support with heavy glass.

  • Canon EF camerasWith adapter· by flange mathsALEXA 265, ALEXA 35, ALEXA Mini LF, Pocket Cinema Camera 6K G2 +14 more

    17.5 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • Leica M camerasWith adapter· by flange mathsALEXA 265, ALEXA 35, ALEXA Mini LF, Ronin 4D-6K +1 more

    33.7 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • B4 (2/3") camerasWith adapter· by flange mathsURSA Broadcast G2, URSA Mini Pro 4.6K G2, AJ-CX4000

    13.5 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • Nikon F camerasWith adapter· by flange mathsURSA Mini Pro 12K, URSA Mini Pro 12K OLPF, URSA Mini Pro 4.6K G2

    15 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

See every camera this lens fits →

Sources: sharegrid.com, emmyland.com, newprovideo.com

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