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Angénieux 12-120mm f/2.2 (T2.5) Type 10x12

Lens · 1960s–1980s · Angénieux vintage zooms

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documentary lookmedium contrastvintage flare16mm

The classic 10:1 zoom of 16mm documentary and news work, f/2.2 (about T2.5), parfocal and under 900 g. It is a standard-16mm lens: it comes closer than most of its contemporaries to filling Super 16 but does not fully cover it at every focal length, and it will not cover Micro Four Thirds — the 2/3-inch value here is the nearest format it safely covers. Minimum focus is about 1.5 m.

Key specs

Focal length
12–120 mm
Max aperture
f/2.2
Mount
C-mount, ARRI Standard, ARRI Bayonet
Image circle
2/3-inch
Close focus
1.5 m
Weight
870 g

Field of view by sensor

Full frame
112.6° – 17.1° horizontal · frames like 12 mm – 120 mm on full frame
Super 35
92.1° – 11.8° horizontal · frames like 17.3 mm – 173.5 mm on full frame
Micro Four Thirds
71.6° – 8.2° horizontal · frames like 25 mm – 249.7 mm on full frame

What it goes on

Made in C-mount, Arri Standard, Arri bayonet, Cameflex and Eclair/Bolex versions. C-mount copies adapt directly to Micro Four Thirds or Blackmagic Pocket (with a crop mode), and Arri-S/B versions adapt via PL-style adapters to Super 16 digital cameras.

  • PL camerasWith adapterALEXA 265, ALEXA 35, PYXIS 12K, PYXIS 6K +15 more

    ARRI Standard-to-PL adapter. Same 52 mm flange distance, so the adapter is a simple sleeve — but most Arri Standard lenses were made for 16 mm or 35 mm Academy and may not cover Super 35.

  • Sony E camerasWith adapterRonin 4D-6K, Ronin 4D-8K, Alpha 1 II, Alpha 7 IV +13 more

    Fotodiox C-NEX. Mounts, but expect heavy vignetting outside a Super 16 crop; lenses with a wide rear barrel don't seat.

  • Micro Four Thirds camerasWith adapterMicro Studio Camera 4K G2, Pocket Cinema Camera 4K, Lumix BGH1, Lumix GH6 +1 more

    Fotodiox C-MFT. The adapter recesses into the mount. Most C-mount lenses only cover a Super 16-sized crop (e.g. Blackmagic Pocket original, or ETC mode).

  • Canon EF camerasWith adapter· by flange mathsALEXA 265, ALEXA 35, ALEXA Mini LF, Pocket Cinema Camera 6K G2 +14 more

    8 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • Canon RF camerasWith adapter· by flange mathsEOS C400, EOS C50, EOS C70, EOS C80 +10 more

    32 mm of room — a plain mechanical adapter. Manual focus and iris.

  • L-Mount camerasWith adapter· by flange mathsCinema Camera 6K, PYXIS 12K, PYXIS 6K, Ronin 4D-6K +6 more

    32 mm of room — a plain mechanical adapter. Manual focus and iris.

  • Leica M camerasWith adapter· by flange mathsALEXA 265, ALEXA 35, ALEXA Mini LF, Ronin 4D-6K +1 more

    24.2 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • LPL camerasWith adapter· by flange mathsALEXA 265, ALEXA 35, ALEXA Mini LF, URSA Cine 17K 65

    8 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • B4 (2/3") camerasWith adapter· by flange mathsURSA Broadcast G2, URSA Mini Pro 4.6K G2, AJ-CX4000

    4 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • Nikon F camerasWith adapter· by flange mathsURSA Mini Pro 12K, URSA Mini Pro 12K OLPF, URSA Mini Pro 4.6K G2

    5.5 mm of room for a plain ring. Check rear-element and mirror clearance before buying.

  • Nikon Z camerasWith adapter· by flange mathsKOMODO-X 6K S35, V-RAPTOR [X] 8K VV, V-RAPTOR XE

    36 mm of room — a plain mechanical adapter. Manual focus and iris.

See every camera this lens fits →

Sources: kamerastore.com, cinematechnic.com, visualproducts.com

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Angénieux 12-120mm f/2.2 (T2.5) Type 10x12 — Specs, Photos & Compatibility | ProductionPal — ProductionPal