Free tools / Lens mount compatibility
Cameras that take the Cooke Speed Panchro Ser. II 50mm T2.3
Pick a camera, a lens or a mount. We work out what mounts natively, what adapts, which adapter people actually use — and whether the lens covers the sensor. Modern cine glass and vintage lenses alike.
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19 native · 43 with an adapter · 0 that don’t fit · Cooke Speed Panchro Ser. II 50mm T2.3 spec sheet
ARRI PL — native
Native19- ARRI ALEXA 265Large format / VVneeds crop mode
- ARRI ALEXA 35Super 35
- Blackmagic Design PYXIS 12KLarge format / VVneeds crop mode
- Blackmagic Design PYXIS 6KFull frameneeds crop mode
- Blackmagic Design URSA Cine 12K LFLarge format / VVneeds crop mode
- Blackmagic Design URSA Cine 17K 65Large format / VVneeds crop mode
- Blackmagic Design URSA Mini Pro 12KSuper 35
- Blackmagic Design URSA Mini Pro 12K OLPFSuper 35
- Blackmagic Design URSA Mini Pro 4.6K G2Super 35
- Canon EOS C300 Mark IIISuper 35
- Canon EOS C500 Mark IIFull frameneeds crop mode
- DJI Ronin 4D-6KFull frameneeds crop mode
- DJI Ronin 4D-8KFull frameneeds crop mode
- RED V-RAPTOR XL 8K S35Super 35
- RED V-RAPTOR XL 8K VVLarge format / VVneeds crop mode
- RED V-RAPTOR XL [X] 8K VVLarge format / VVneeds crop mode
- Sony BURANOFull frameneeds crop mode
- Sony VENICEFull frameneeds crop mode
- Sony VENICE 2Full frameneeds crop mode
ARRI PL → Canon RF
With adapter14Wooden Camera RF to PL · Canon PL-RF (C400 / C80) · Kipon PL-RF. Common; use lens support with heavy glass.
- Canon EOS C400Full frameneeds crop mode
- Canon EOS C50Full frameneeds crop mode
- Canon EOS C70Super 35
- Canon EOS C80Full frameneeds crop mode
- Canon EOS R5 CFull frameneeds crop mode
- Canon EOS R5 Mark IIFull frameneeds crop mode
- Canon EOS R6 Mark IIFull frameneeds crop mode
- Canon EOS R6 Mark IIIFull frameneeds crop mode
- RED KOMODO 6KSuper 35
- RED KOMODO-X 6K S35Super 35
- RED V-RAPTOR 8K S35Super 35
- RED V-RAPTOR 8K VVLarge format / VVneeds crop mode
- RED V-RAPTOR [X] 8K VVLarge format / VVneeds crop mode
- RED V-RAPTOR XELarge format / VVneeds crop mode
ARRI PL → Sony E
With adapter12Wooden Camera E to PL · Vocas PL to E · Metabones PL-E. Solid and common. Support the lens — the E-mount is not built to carry a heavy cine zoom on its own.
- Sony Alpha 1 IIFull frameneeds crop mode
- Sony Alpha 7 IVFull frameneeds crop mode
- Sony Alpha 7 VFull frameneeds crop mode
- Sony Alpha 7S IIIFull frameneeds crop mode
- Sony FR7Full frameneeds crop mode
- Sony FX2Full frameneeds crop mode
- Sony FX3Full frameneeds crop mode
- Sony FX30APS-C
- Sony FX5Full frameneeds crop mode
- Sony FX6Full frameneeds crop mode
- Sony FX9Full frameneeds crop mode
- Sony ZV-E1Full frameneeds crop mode
ARRI PL → L-Mount
With adapter6Leitz L-PL · Wooden Camera L to PL · Sigma MC-31. Common; use lens support with heavy glass.
- Blackmagic Design Cinema Camera 6KFull frameneeds crop mode
- Panasonic Lumix BS1HFull frameneeds crop mode
- Panasonic Lumix S1 IIFull frameneeds crop mode
- Panasonic Lumix S1HFull frameneeds crop mode
- Panasonic Lumix S5 IIFull frameneeds crop mode
- Panasonic Lumix S5 IIXFull frameneeds crop mode
ARRI PL → Micro Four Thirds
With adapter5Wooden Camera MFT to PL · MTF PL to MFT. Works, with a 2x crop on Super 35 glass relative to full frame.
- Blackmagic Design Micro Studio Camera 4K G2Micro Four Thirds0.71x speed booster option
- Blackmagic Design Pocket Cinema Camera 4KMicro Four Thirds0.71x speed booster option
- Panasonic Lumix BGH1Micro Four Thirds0.71x speed booster option
- Panasonic Lumix GH6Micro Four Thirds0.71x speed booster option
- Panasonic Lumix GH7Micro Four Thirds0.71x speed booster option
ARRI PL → ARRI LPL
With adapter1ARRI PL-to-LPL Adapter. ARRI's own adapter, passes LDS / Cooke /i lens data.
- ARRI ALEXA Mini LFLarge format / VVneeds crop mode
ARRI Standard → Canon EF
With adapter· by flange maths38 mm of room for a plain ring. Check rear-element and mirror clearance before buying.
ARRI Standard → B4 (2/3" broadcast)
With adapter· by flange maths24 mm of room for a plain ring. Check rear-element and mirror clearance before buying.
Flange focal distance chart
Shortest first. A lens adapts to any mount above it in this list with room to spare — and to nothing below it without corrective glass.
| Mount | Flange distance | Throat | Type | Since |
|---|---|---|---|---|
| Nikon Z | 16 mm | 55 mm | mirrorless | 2018 |
| C-mount16mm-format lenses: most cover no more than a Super 16 / 1-inch sensor. | 17.526 mm | 25.4 mm | cine | 1926 |
| Fujifilm X | 17.7 mm | 43.5 mm | mirrorless | 2012 |
| Sony E | 18 mm | 46.1 mm | mirrorless | 2010 |
| Canon EF-M | 18 mm | 47 mm | mirrorless | 2012 |
| Micro Four Thirds | 19.25 mm | 38 mm | mirrorless | 2008 |
| Canon RF | 20 mm | 54 mm | mirrorless | 2018 |
| L-Mount | 20 mm | 51.6 mm | mirrorless | 2014 |
| Fujifilm G | 26.7 mm | 65 mm | mirrorless | 2017 |
| Leica M | 27.8 mm | 44 mm | rangefinder | 1954 |
| Canon FD | 42 mm | 48 mm | slr | 1971 |
| Minolta SR (MC/MD) | 43.5 mm | 45 mm | slr | 1958 |
| Canon EF | 44 mm | 54 mm | slr | 1987 |
| ARRI LPL | 44 mm | 62 mm | cine | 2018 |
| M42 screw | 45.46 mm | 42 mm | slr | 1949 |
| Pentax K | 45.46 mm | 44 mm | slr | 1975 |
| Contax/Yashica | 45.5 mm | 48 mm | slr | 1975 |
| Olympus OM | 46 mm | 46 mm | slr | 1972 |
| Nikon F | 46.5 mm | 44 mm | slr | 1959 |
| Leica R | 47 mm | 49 mm | slr | 1964 |
| B4 (2/3" broadcast)Designed for 3-chip prism cameras with a 2/3" image circle — only usable on larger sensors through an optical adapter. | 48 mm | 46 mm | broadcast | 1992 |
| ARRI PL | 52 mm | 54 mm | cine | 1982 |
| ARRI Standard | 52 mm | 41 mm | cine | 1937 |
| ARRI Bayonet | 52 mm | 41 mm | cine | 1965 |
| Panavision PV | 57.15 mm | 49.5 mm | cine | 1972 |
| OCT-19 (Lomo / Konvas) | 61 mm | 47 mm | cine | 1950 |
| Mitchell BNCR | 61.47 mm | 68 mm | cine | 1967 |
| Mamiya 645 | 63.3 mm | 62 mm | medium format | 1975 |
| Hasselblad V | 74.9 mm | 69 mm | medium format | 1957 |
| Pentax 6x7 | 84.95 mm | 72 mm | medium format | 1969 |
Adapter matrix
Lens mount down the side, camera mount across the top. native adapter optical adapter only Hover a cell for the details.
| lens ↓ body → | Z | C | X | E | EF-M | MFT | RF | L | GFX | M | FD | SR | EF | LPL | M42 | K | C/Y | OM | F | R | B4 | PL | Arri-S | Arri-B | PV | OCT-19 | BNCR | M645 | HV | P67 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Z | ||||||||||||||||||||||||||||||
| C | ||||||||||||||||||||||||||||||
| X | ||||||||||||||||||||||||||||||
| E | ||||||||||||||||||||||||||||||
| EF-M | ||||||||||||||||||||||||||||||
| MFT | ||||||||||||||||||||||||||||||
| RF | ||||||||||||||||||||||||||||||
| L | ||||||||||||||||||||||||||||||
| GFX | ||||||||||||||||||||||||||||||
| M | ||||||||||||||||||||||||||||||
| FD | ||||||||||||||||||||||||||||||
| SR | ||||||||||||||||||||||||||||||
| EF | ||||||||||||||||||||||||||||||
| LPL | ||||||||||||||||||||||||||||||
| M42 | ||||||||||||||||||||||||||||||
| K | ||||||||||||||||||||||||||||||
| C/Y | ||||||||||||||||||||||||||||||
| OM | ||||||||||||||||||||||||||||||
| F | ||||||||||||||||||||||||||||||
| R | ||||||||||||||||||||||||||||||
| B4 | ||||||||||||||||||||||||||||||
| PL | ||||||||||||||||||||||||||||||
| Arri-S | ||||||||||||||||||||||||||||||
| Arri-B | ||||||||||||||||||||||||||||||
| PV | ||||||||||||||||||||||||||||||
| OCT-19 | ||||||||||||||||||||||||||||||
| BNCR | ||||||||||||||||||||||||||||||
| M645 | ||||||||||||||||||||||||||||||
| HV | ||||||||||||||||||||||||||||||
| P67 |
Solid blue = an adapter people actually use. Pale blue = possible by flange distance; check that someone makes the ring.
Adapting lenses, answered
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